Guided Tour No.3: Chowringhee to Sealdah
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Introduction
The very mixed neighbourhoods of the East are the subject of this tour out to Sealdah Station the other great entry to the city.
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Chowringhee (south of Park
Street
_____Pictures of 1940s Calcutta________________________
_____Contemporary Records of or about 1940s Calcutta___
Chowringhee
(south of Park Street
Taking
the junction of Park Street and
Chowringhee Road as the starting point of this tour, we have on the left the
extensive building of Hall &. Anderson Ltd., (Departmental Store), with
their show-windows extending along
Adjoining
is the
Higher
up is Virginia House (Imperial Tobacco Co. (India) Ltd.), a lofty building of
modern architecture, accommodating on its ground floor Lloyds Bank, Ltd.,
(Chowringhee Branch); alongside is the New Club, not so new as its name
implies, having been in existence since 1884.
A little
way along we reach the offices of the Automobile Association of
[
]
Continuing
our way along we pass Harrington Street, leading to Camac Street, and reach
Theatre Road, one of Calcutta's most fashionable thoroughfares.
[
]
Returning
to
We next
pass
Next
comes
John Barry, journalist, Calcutta, 1939/40
(source
pages 121-123 of John Barry: Calcutta 1940 Calcutta
(COPYRIGHT NOTICE: Reproduced under 'fair dealing' terms as part of a non commercial educational research project. The copyright remains with John Barry 1940)
Bengal
Club
Adjoining
is the
John Barry, journalist, Calcutta, 1939/40
(source
pages 121 of John Barry: Calcutta 1940 Calcutta
(COPYRIGHT NOTICE: Reproduced under 'fair dealing' terms as part of a non commercial educational research project. The copyright remains with John Barry 1940)
Good
Companions
[
] next
[on Chowringhee] comes Willingdon House, accommodating the Bengal Home
Industries and the Good Companions.
The idea
of the Good Companions originated with Mrs. R. D. Cromartie, who in
collaboration with Lady Benthall and Mrs. B. Studd, drew up a scheme, the aim
being to establish a departmental store in Calcutta for marketing the products
of Industrial Missions.
On the
6th January 1934, a meeting was held in the Bible House, 23 Chowringhee, with
Mr. B. C. Studd in the Chair, when the scheme was officially discussed. It was
decided to circularize all available Missions and invite their co-operation.
There was a ready and enthusiastic response and the Good Companions opened its
doors on the 22nd January 1934. At the moment there are 75 Missions on the
list.
The
Vicerine is the Patroness of the Institution, which is managed by a committee
of seven members, and a working committee of eleven members, all honorary
workers. The sale of products at the Good Companious is voluntarily undertaken
by Society Ladies who generously devote part of their time as honorary workers.
John Barry, journalist, Calcutta, 1939/40
(source
pages 121-122 of John Barry: Calcutta 1940 Calcutta
(COPYRIGHT NOTICE: Reproduced under 'fair dealing' terms as part of a non commercial educational research project. The copyright remains with John Barry 1940)
Theatre
Road
At the
south-west corner of
Entering
John Barry, journalist, Calcutta, 1939/40
(source
pages 122-123 of John Barry: Calcutta 1940 Calcutta
(COPYRIGHT NOTICE: Reproduced under 'fair dealing' terms as part of a non commercial educational research project. The copyright remains with John Barry 1940)
ST.
PAUL
Admission : - Open daily
from 6 a.m. to 7-30 p.m.
Services :SundaysHoly Communion 7 & 7-45
a.m.
Matins 8-30 a.m. Sung
Eucharist and Sermon 9-0
Children's Service :4-30
p.m.
Evensong and Sermon 6-0
p.m. (15th October to 15th March), 6-30 p.m. (16th March to 14th October).
Weekdays (In Jesus
Chapel):Matins 6-40 a.m. Holy Communion 7-0 a.m.
1st & 3rd Wednesdays
in the month :Holy Communion in Bengali 7-45 a.m.
Trams :Kalighat,
Tollygunge, Ballygunge.
Buses :Nos. 2, 2A, 3, 4,
4A, 5.
St.
Paul's, the Anglican Cathedral of Calcutta and the Metropolitan Church of
India, occupies the southeastern corner of the Maidan. Though a little
overshadowed by the dazzling white bulk of its near neighbour, the Victoria
Memorial, the Cathedral has an architectural dignity of its own, which cannot escape
even the most casual visitor to this fascinating quarter of the city.
No
sooner had the Government granted the site, than Bishop Wilson, through whose
efforts and untiring energy
Of
Indo-Gothic architecture with a few variations, the Cathedral is 247 feet in
length, 81 feet in width and 114 feet at the transept; the spire, since
demolished, was 201 feet high and almost a replica of that of
The
grounds of the Cathedral are tastefully laid out with gorgeous flower beds,
rolling lawns and shady trees. Five gates give access to the grounds, the main
one being the Sir William Prentice Memorial gate, erected recently on the
northern side.
Entering
by this gate and proceeding we come to the large western porch. Ascending a
short flight of steps, we enter the church and note a handsome Baptismal Font
of white marble, resting on two circular pedestals of grey marble, erected to
the memory of Sir W.H. Carnduff, a puisne judge of the Calcutta High Court. In
the centre of the wall on the left, is a marble memorial to the sixteen
officers of the
On the right
of the entrance, stands a white marble memorial, supported by two figures and
surmounted by a bust, erected in memory of Major-General Forbes, architect of
the Cathedral and the Mint (obit 1855). A staircase by the side leads to the
library on the first floor, the gift of Bishop Wilson. Particularly noteworthy
here is the stained glass window by Sir E. Burne-Jones, presented in 1880 by
the Government of India in memory of Lord Mayo, Viceroy and Governor-General of
India, assassinated at the Andaman Islands in 1872.
In the
corner, at the foot of the staircase, is a picture of Jesus as a child, looking
towards
and to
the right a memorial to Hari Har Sandel, the first Indian to be admitted to
Holy Orders in the Anglican Church and who for thirty-one years ministered to
the Bengali congregation of
We have
now reached the Lantern below the Belfry, and our attention is first attracted
to the kneeling statue of Bishop Heber. It is of white marble, the work of
Chantry, and was formerly in
On the
right of Bishop Heber's statue is a blue screen marking the entrance to Jesus
Chapel; where high above on the wall, preserved in a glass case, are two flags,
the old colours of the 18th Bengal Infantry, Alipore Regiment, deposited in
1886. Pictures illustrative of the life of Christ adorn the walls.
On the
left of the Heber Statue is a passage, giving access to the Chapel of
Remembrance. This passage is lined with mural tablets ; of particular interest
is one to J. W. Quinton, Chief Commissioner, and his officials, who perished in
the Manipur massacre on March 24th 1891. The Chapel of Remembrance commemorates
by name all those connected with
Returning
to the Heber statue and proceeding eastwards, we pass a memorial to Sir John
Woodburn, Lieutenant-Governor of Bengal, 1898-1902 ; alongside is a memorial
tablet to Lieutenant William Anderson and Patrick Vans Agnew, Bengal Civil
Service, murdered beneath the walls of Multan in 1848 : the epitaph is from the
pen of Macaulay. Facing the memorial is a brass plate presented by Lord Curzon
to the memory of those of Lumsden's Horse who fell in the South African War
(1899-1901), also a marble tablet erected to the memory of members of the
The
lighting system in the Cathedral consists of reflectors which throw the light
on to the ceiling and thus diffuse it evenly throughout the building. Apart
from its primary purpose of lighting, this system throws into relief the carved
ceiling, which is painted in delicate grey-green and finished with Gothic tracery.
Passing down the centre aisle, we note that, in addition to the pews facing the
Sanctuary, there are tiers of seats on each side and at the west end. The first
row of seats on the right is reserved for the Governor of
The
gigantic organ by Willis & Sons,
The wall
behind the altar is adorned with a reredos depicting incidents from the Life of
St. Paul, portrayed in alabaster set with coloured mosaic and above are three
stained glass windows separated from one another by two Florentine frescoes.
To the
right of the Bishop's throne is a memorial window, erected by the Government of
On the
left below the Sanctuary is a vault, containing the mortal remains of Bishop
Daniel Wilson. The Altarpiece is adorned with representations of "The
Annunciation," "The Adoration of the Magi" and "The Flight
Into
John Barry, journalist, Calcutta, 1939/40
(source
pages
44-48 of John Barry: Calcutta
1940 Calcutta
(COPYRIGHT NOTICE: Reproduced under 'fair dealing' terms as part of a non commercial educational research project. The copyright remains with John Barry 1940)
ST.
PAUL
(source: A Guide Book to
(COPYRIGHT NOTICE: Reproduced under 'fair dealing' terms as part of a non commercial educational research project. The copyright remains with the original submitter/author)
_____Memories of 1940s Calcutta_______________________
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Elgin Road
_____Pictures of 1940s Calcutta________________________
_____Contemporary Records of or about 1940s Calcutta___
Elgin
Road
Entering
John Barry, journalist, Calcutta, 1939/40
(source pages 123-124 of John Barry: Calcutta
1940 Calcutta
(COPYRIGHT NOTICE: Reproduced under 'fair dealing' terms as part of a non commercial educational research project. The copyright remains with John Barry 1940)
_____Memories of 1940s Calcutta_______________________
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Lower Circular
Road
_____Pictures of 1940s Calcutta________________________
Home or club south of Calcutta's ""downtown."
Glenn Hensley, Photography Technician with US Army Airforce, Summer 1944
(source: Glenn S. Hensley: Downtown, HB005, "Home or club south of Calcutta's ""downtown."" It was on the extension of Chowringee, the best that I can remember. " seen at University of Chicago Hensley Photo Library at http://dsal.uchicago.edu/images/hensley as well as a series of E-Mail interviews with Glenn Hensley between 12th June 2001 and 28th August 2001)
(COPYRIGHT NOTICE: Reproduced by permission of Glenn Hensley and under a Creative Commons license)
_____Contemporary Records of or about 1940s Calcutta___
VICTORIA
Location
:At the southern end of the Maidan, with the main entrance on Queensway.
Admission
to the Grounds : Open daily from sunrise to sunset, throughout the year.
Admission
to the Memorial :Except on Mondays, when the Memorial is entirely closed, and
on Tuesdays, when it is open from 7 a.m. to 1 p.m., the Victoria Memorial is
open daily, including Sundays, from 10 a.m. to 5 p.m. (March to October), and
from 10 a.m. to 4 p.m. (November to February).
Admission
to the Memorial is free with the exception of galleries XII, XIV, XV, XVI, XVII
and XVIII, for which an entrance fee of annas four is levied.
On
Fridays an entrance fee of annas eight is made which admits one to the whole
building.
A charge
of annas eight per head is levied for ascending to the Grand Dome and entering
the Echo Chamber and Whispering Gallery.
Trams
:Kalighat, Kidderpore.
Buses: Nos. 2, 2A, 3, 3A, 4, 4A, 5, 12, 12B.
The
Victoria Memorial in
Designed
by Sir William Emerson (architect), the foundation stone was laid on the 4th
January 1906 by King George V, then Prince of Wales. The building, of
Renaissance architecture with traces of Saracenic influence, was constructed by
Messrs. Martin &. Co. Calcutta, under the supervision of Mr. V. J. Esch, C.
V. O. (architect), at a cost of Rs. 76,00,000, subscribed by the Peoples and
Princes of
The
dimensions of the Hall at the corner towers are 339 feet by 228 feet. The dome
of the building, 182 feet above ground level, is surmounted by a figure of
Victory 16 feet high, weighing 3 tons, revolving on a sphere 2 feet in
diameter. The ornamental statuary groups over the entrance, and the figures
surrounding the dome were designed and executed in
The
treasures within the Memorial are worthy of their magnificent repository. The
collection and arrangement of the material was entrusted to Sir William Foster,
C.LE., and later the work of revision and completion was supervised by Sir Evan
Cotton, C.I.E. At the express desire of Lord Curzon, the Trustees have prepared
an illustrated catalogue of the exhibits, which is in itself a work of art and
of historical value. This catalogue is on sale to the public and a copy should
be in the hands of every visitor.
Arriving
at the Memorial from Queensway, we pause at the Lion-guarded gate to inspect
the striking bronze statue of Lord Curzon by Pomeroy. The great Proconsul
stands bare-headed facing his Sovereign and the magnificent Memorial he was
instrumental in raising to her Imperial memory. Surrounding his statue at the
four corners, are groups of statuary representing Commerce, Famine Relief,
Agriculture and Peace.
Proceeding
up the drive, we come to the bronze statue of Queen
The
spacious grounds around the building are well laid out with gorgeous flower
beds, wide lawns, sequestered walks and gleaming stretches of water, while
rustic benches beneath shady trees, provide inviting and restful retreats.
Proceeding,
we reach the Memorial, awe-inspiring in its superb construction, sheer white
beauty and sweeping grandeur: ascending the broad marble steps we pass into the
Entrance Hall (I) where we note marble statues of King George V and Queen Mary;
bronze busts of King Edward VII and Queen Alexandra; a musical Grandfather
Clock by Whitehurst of Derby; a wooden model of the Victoria Memorial; and the
original design of the Victoria Memorial by Sir William Emerson. Passing
through the Vestibule to the Royal Gallery (II), which contains photographs of
former Governors-General and a bronze bust of
In the
Annexe to the Royal Gallery (IV) are a number of interesting exhibits,
including Queen Victoria's last letter to India, dated 14th December 1900; King
Edward VII's signed message, read at the Delhi Coronation Durbar; two
exquisitely Indian embroidered dresses, one worn by Queen Alexandra at Courts
in London and the other worn by Lady Curzon at the Centenary Fancy Dress Ball
held in Government House, Calcutta, in January 1903 ; Queen Victoria's
Proclamation Banner (1877); a gold embroidered footstool used by King George V.
at the Delhi Coronation Durbar in 1911; photographs of Earl and Countess
Canning ; lithographs of Buckingham Palace and Kensington Palace, an engraving
of Windsor Castle; paintings of Queen Victoria's Coronation; the laying of the
foundation stone of the Victoria Memorial Hall; several engravings of Queen
Victoria; a photograph of her Majesty with her Indian Attendant, and 60
engravings, on a screen, depicting the female aristocracy of her Court.
Returning
to the Entrance Hall (I), we pass into the Vestibule to the Portrait Gallery
(V), containing a number of engravings of Indian scenes, a coloured engraving
of the Court of Fath Ali Shah of Persia and a marble bust of Charles James Fox.
In the Portrait Gallery (VI) we have fine portraits of Lord Metcalfe, Lord
Bentinck, Sir Robert Sherley (1581-1628), Dwarkanath Tagore, Field Marshal
Gough, Dr. Alexander Duff, Bishop Heber, John Zephaniah Holwell, Major-General
Sir David Ochterlony, Lord Clive, Major-General Stringer Lawrence, Admiral
Charles Watson, Viscount Lake; marble statues of the Marquess of Wellesley, the
Marquess of Hastings and the Marquess of Dalhousie; two large oil paintings
representing the investiture of the Duke of Edinburgh with the insignia of G.
C. S. I.; and the State Entry of Lord and Lady Curzon and the Duke and Duchess
of Connaught into Delhi for the Coronation Durbar of 1903. In the show cases
are displayed manuscripts of great interest to antiquarians, including Tipu
Sultan's note book written by himself; an Ain-I-Akbari by Abdul Fazi, Prime
Minister of the Emperor Akbar; poems of Nizami and Jamali; the first volume of
the Calcutta Gazette dated Thursday, June 3rd, 1784; Akbarnamah in two volumes,
bearing the imprimature of the author Abdul Fazi Allami; Sir William Jones*
translation of the great Sanskrit drama Sacontala (The Fatal Ring) by Cali Das;
an illustrated Anwar-I-Soheili, written in 1518 A. D., bearing Akbar's
signature; Quhstan, written by Zarein Haqam; also aquatints and paintings on
talc, of costumes of the Bengal, Madras and Indian armies.
The
Annexe to the Portrait Gallery (VII) contains a number of paintings and
engravings. Of special interest are those of Muhammad Ali, Nawab of Arcot, Tipu
Sultan, Sir William Jones the famous Orientalist, founder and first President
of the Asiatic Society of Bengal; David Hare, founder of the Hindu College;
William Carey, D. D., founder of the Baptist Mission Society; Brigadier-General
John Nicholson of Mutiny fame; Field-Marshal Sir Neville B. Chamberlain
(1820-1902); Brigadier-General Sir Henry Lawrence; Field-Marshal Earl Roberts;
Major-General Sir Henry Havelock, who relieved Lucknow during the Mutiny; Raja
Ram Mohan Roy the great Hindu Reformer; and the Rev. J. Z. Kiernander, the
first missionary of the Church of England in Bengal. In the centre of the room
is a large show case, displaying a unique collection of ancient armour and
weapons of the various States of
Finding
ourselves once more in the Entrance Hall (I), we enter Queen's Hall (VIII). In
the centre directly under the dome is a splendid and dignified statue of Queen
Staircases
to the right and left of Queen's Hall lead to galleries XIX to XXXII, but it
would be an advantage for visitors to explore the lower floor before going
upstairs.
From
Queen's Hall (VIII) we pass into Prince's Hall (XI), containing busts of
Brigadier-General John Nicholson, Earl Canning, Lord Lawrence, Major-General
Sir Henry Havelock, the Duke of Wellington, Major-General Claude Martin and the
novelist William Makepeace Thackeray. The outstanding feature of this Hall is
the fine marble statue of Lord Clive, a replica of the one outside the
To the
left of the Prince's Hall is the Durbar Hall (XII), with its handsome
wrought-iron gates surmounted by the Royal Coat of Arms. Admission is by ticket
(four annas), which covers entrance to this Hall as well as to the Galleries
Nos. XIV, XV, XVI, XVII and XVIII. These galleries contain exhibits of
historical and world-wide importance and interest and no one should miss
visiting them. The Durbar Hall, one of
the most striking galleries in the building, displays a wide variety of
interesting objects, including a valuable collection of Indian stamps; water
colour sketches by Miss Eden, sister of Lord Auckland; Queen Victoria's Journal in the Highlands, and The Early Years of the Prince Consort;
an autographed letter from the Duke of Wellington; a Bengali letter from Nund
Coomar; Warren Hastings' snuff box; a number of Oriental paintings on screens;
engravings and aquatints of views of Calcutta; show cases of swords formerly
belonging to Lord Roberts, Tipu Sultan, Haidar Ali and others; uniforms worn by
King Edward VII and Lord Curzon; silver trumpets used at the Coronation Durbar
at Delhi, and the stone Throne or Musnad of the Nawabs Nazim of Bengal, hewn
out of a single block, dating from 1641. It is said that the stone occasionally
exhudes a rust coloured liquid due to the presence of iron ore.
Retracing
our steps to Prince's Hall (XI), we enter the Vestibule to Daniell Room (XIV).
In this vestibule are various uniforms worn by heralds and trumpeters at the
Coronation Durbars of 1903 and 1911. The Daniell Room (XV) is adorned with a
number of fine paintings of Indian scenes by Thomas Daniell, R. A., William
Daniell, R.A., and John Zoffany, R.A., some of which have been exhibited at the
Queen
Mary's Room (XVI), contains many portraits and views of absorbing interest,
mostly presented by Her Majesty. There are paintings of Sir Saiyed Ahmed Khan
by Poresh Nath Sen; Raja Sir Tanjore Madhava Rao by Raja Ravi Varma of
Travancore; Sir Henry Bartle Edward Frere by Malcolm Stewart; Major-General
John Briggs by J. Smart; The Poet Rudyard Kipling by Sir Phillip Burne-Jones;
Sir James Fitzjames Stephen by C. H. Thompson; Lord Macaulay by A. C. Dyer;
Brigadier-General Sir Henry Lawrence by Miss M. Saunders; Rajandra Lal Mitra by
Lai Fong; Major-General Sir Peter Lumsden by D. Ward; Sir Elijah Impey by Tilly
Kettle; Nawab Asaf-ud'Dowlah by Ozias Humphry; Lieutenant-General Sir Richard
Strachey by T. Blake Wirgman; The Old Fort and Holwell's Monument, Calcutta, by
T. Daniell; John Zoffany, R.A., (1733-1810), by himself; The Daniells in India;
The Jummah Musjid, Delhi; Sir Colin Campbell (first Baron Clyde); Lord Pigot of
Patshull; Duke of Wellington; Major-General Sir David Ochterlony; Major-General
Sir Robert Sale; also portraits of Governors-General of India from Warren
Hastings down to Lord Curzon. An exhibit of great historical interest is the
last page of a letter dated 7th July, 1686, bearing Job Charnock's signature.
Gallery
(XVII), contains paintings of Tipu Sultan and his sons, Mahdaji Sindhia, a
collection of arms and armour of various Indian States, flags of old time
regiments, an Austrian machine gun, and other interesting exhibits. The
exhibits in Gallery (XVIII) include engravings of the Preparation for Suttee,
the Battle of Meeanee, and the Festival of the Mohurram, a painting of Keshub
Chandra Sen, an aquatint of the Gate to Akbar's Mausoleum and show cases
containing models of the old East Indiaman Allumghier and of the battlefield of
Plassey (1757) in plaster of Paris, together with a cannon ball picked up on
that field.
Back to
Prince's Hall we pass out of the door to the southern vestibule. At the foot of
the staircase to the right are two cannons, one an old Indian camel gun, the
other bearing an inscription in Bengalee to the effect that it was cast by one
Kisore Das Karmakar, blacksmith; the gun belonged to the Maharaja of Nadia, who
played an important part in the Revolution of 1757. Ascending this staircase we
enter the Vestibule leading to Hastings Room (XIX). Here are exhibited King
Thebaw's Silver Carpet, a coloured oriental painting of the Dasara Procession
of His Highness the Rao of Kutch, and a Panorama of Her Late Majesty Queen
Victoria's Coronation Procession (about 80 feet long). Among the exhibits in
Hastings Room (XX) are two busts of Hastings in glass cases, a number of
portraits of Warren Hastings and Mrs. Hastings, Views of Daylesford House,
Hastings' family home, his tomb in Daylesford churchyard, and an engraving of
his trial; an ivory teapoy and chair, part of the famous suite of Warren
Hastings; and a paper booklet containing Hastings' account of his duel with
Philip Francis in 1780 ; several engravings of Tipu Sultan's last stand at
Seringapatam, his death, the surrender of his sons and a model of the Fort of
Seringapatam (No. 1376).
The
Print Room (XXI) and the Calcutta Room (XXII) run parallel to Hastings Room
(XX). In the former are mezzotint engravings of Sir William Peel, Lord Napier
of Magdala, Viscount Gough, General John Jacob, several battle scenes; a
portrait of Countess Mornington, the mother of the Duke of Wellington and the
Marquess Wellesley; a lithograph of Sir Charles Napier and several paintings
and portraits of Indian scenes.
The
Calcutta Room (XXII) should be of particular interest to residents of this
City. Some of the views represented are Old Court House Street, Calcutta in
1756, the River Hooghly, Calcutta from the Ochterlony Monument, Writers
Buildings, Chowringhee, the Council House, Proclaiming the transfer of the
administration to the Crown, Barrackpore, and a number of coloured lithographs
of,Old Calcutta by Sir Charles D'Oyly. There are teakwood models of St. Anne's
Church, Old Fort William and the South-East of Old Fort William showing East
Gate Barracks and the Black Hole of Calcutta: the top of the last named can be
removed to show interior details.
The
Annexe to the Calcutta Room (XXIII) is on the right and offers many
photographs, engravings and maps of Calcutta, showing the gradual growth of the
city: this is illustrated by views entitled The Old Mission Church, St.
Andrew's Presbyterian Church, Old Court House Street, Corner of Maidan (now the
Curzon Gardens), Site of Sans Souci Theatre (now St. Xavier's College), Clive
Street and Dalhousie Square, Chowringhee, Riverside, Old Bengal Club, Old Fort
William, United Service Club, Shipping on the Hooghly, Howrah Bridge, Old Post
Office, the former Royal Exchange, Roman Catholic Cathedral and the original
Black Hole Monument and its present replica.
Adjoining
the Calcutta Room is the
Emerging
from Gallery (XXV), we turn left and ascend a short staircase leading to the circular
gallery of Queen's Hall just below the frescoes. The first door on the left leads to the North-West Balcony
(XXVI), where are exhibited an engraving of the Mausoleum of Haider Ali and
several fine views of Simla,
A
staircase from these galleries brings us down to Queen's Hall (VIII); from
where we make our way to the southern vestibule to inspect two old guns, one of
which is marked 'H. H. Maxwell, 1865, Cossipore,' and both inscribed with the
motto "Horn Soit Qui Mal y Pense DCCCLXV."
In the
grounds on the south is a life-size marble statue of Lord Curzon by Pomeroy, in
the robes of a Grand Master of the Order of the Star of
John Barry, journalist, Calcutta, 1939/40
(source
pages 33-43 of John Barry: Calcutta 1940 Calcutta
(COPYRIGHT NOTICE: Reproduced under 'fair dealing' terms as part of a non commercial educational research project. The copyright remains with John Barry 1940)
VICTORIA
(source: A Guide Book to
(COPYRIGHT NOTICE: Reproduced under 'fair dealing' terms as part of a non commercial educational research project. The copyright remains with the original submitter/author)
THE
PRESIDENCY GENERAL
HOSPITAL
Visiting Hours: Private
rooms 8-30 a.m. to 8 p.m.
Alexandra Ward (for
children) : 5 p.m. to 6-30 p.m.
Other Wards : 5 p.m. to 7
p.m.
In Patients admitted : 8
a.m. to 12 noon. Urgent cases at any time.
Out patients seen : 8
a.m. to 9 a.m. (Sundays excepted).
Trams :Kalighat,
Ballygunge, Tollygunge.
Buses :Nos. 2, 2A, 3, 4,
4A, 5.
A short distance from the
Cathedral, at No. 244
Lower
Circular road, is [The] Presidency General Hospital, overlooking the Maidan,
occupies a splendid site in large and well laid out grounds, and is bounded on
the west by Bhowanipore Road and on the east by Harish Mukerjee Road. The
original hospital was built on the site of a garden house, which was acquired
in 1768. The present handsomely designed building, airy and well adapted for
its humanitarian purpose, was built to the east of the original hospital in
1901 and has 168 ward and private room beds. The Woodburn Ward, erected to the
west of the main building, consists of 25 private rooms equipped with all
modern conveniences. About 50 yards to the north of the main building are the
Observation Ward and the Diphtheria Ward, the Cholera Ward and the Halliday
Ward, mainly for skin diseases. The Anglican Chapel and the Roman Catholic
Chapel are on the south.
The
"In this small laboratory seventy yards to the south-east of this
gate, Surgeon-Major Ronald Ross, I.M.S., in 1898 discovered the manner in which
malaria is conveyed by mosquitoes."
and the other :
"This day relenting God
Hath placed within my hand
A wondrous thing : and God
Be praised at His Command.
"Seeking His secret deeds
With tears and toiling health
I find thy cunning seeds
O million murdering death.
"I know this little thing
A myriad men will save
0 Death where Is thy sting :
Thy Victory, 0 Grave ?"
This memorable
Laboratory, now the Hospital's Clinical Laboratory, is reached by the gate a
few steps to the left of the memorial.
John Barry, journalist, Calcutta, 1939/40
(source
pages 48-49 of John Barry: Calcutta
1940 Calcutta
(COPYRIGHT NOTICE: Reproduced under 'fair dealing' terms as part of a non commercial educational research project. The copyright remains with John Barry 1940)
Lower
Circular Road
Finding
our way to the foot of
We have
now reached the
At the
corner of
Crossing
Chowringhee we have on the left
Adjoining
Back to
Continuing
our way, we have Bishop's College on our right, with Beck Bagan Row leading
across
Pursuing
our way along
Passing
Alimuddin Street leading to Wellesley Square, the Convent of our Lady of
Providence (Franciscan Missionaries of Mary) and European Asylum Lane leading
to Wellesley Square by way of Taltollah Lane (left); the Pratt Memorial School
for Girls, St. James' Church and St. James' College (right) we reach Beniapukur
Road, leading to the junction of Jannagore Road and Linton Street. Next is the
Calcutta Corporation Motor Vehicles Department, and at No. 160 the Sangit
Sangha (
[
]
Back to
and on
the right, the Calcutta Corporation Store Department, the Campbell Hospital,
the Sealdah Civil Court and the Sealdah Police Court (entrance from No. 1
Belliaghatta Road), we come to the end of Lower Circular Road, with Bowbazar
Street on the left and Belliaghatta Road on the right facing each other, and
Sealdah Station close at hand.
John Barry, journalist, Calcutta, 1939/40
(source
pages 124-126 of John Barry: Calcutta 1940 Calcutta
(COPYRIGHT NOTICE: Reproduced under 'fair dealing' terms as part of a non commercial educational research project. The copyright remains with John Barry 1940)
Calcutta
At
John Barry, journalist, Calcutta, 1939/40
(source
pages 124 of John Barry: Calcutta 1940 Calcutta
(COPYRIGHT NOTICE: Reproduced under 'fair dealing' terms as part of a non commercial educational research project. The copyright remains with John Barry 1940)
Galstaun
Park
Alongside
runs
During
the Great War Mr. Galstaun very generously placed this commodious building at
the disposal of the military authorities, to be used as a temporary hospital
for British soldiers, and it was in this palatial building that Mr. Galstaun,
in December 1921, received as his guest H. R. H. the Prince of Wales,
afterwards King Edward VIII. Mr. Galstaun always very willingly lent his Park
for open-air functions and allowed the general public free access to the
grounds and swimming pool. The Park is now the
John Barry, journalist, Calcutta, 1939/40
(source
pages 125 of John Barry: Calcutta 1940 Calcutta
(COPYRIGHT NOTICE: Reproduced under 'fair dealing' terms as part of a non commercial educational research project. The copyright remains with John Barry 1940)
LA
MARTINIERE
La
Martiniere for Boys, situated at
General
Claude Martin was born at Lyons (
The
building, surmounted by a dome, and set in grounds covering over seven acres,
was constructed by J. P. Parker from the design of ]. H. Rattray, and completed
on the 31st December 1835 at a cost of £ 23,000/-. It contains a Chemical and
Physical Laboratory and Lecture Theatre, a Geography Room, a room for Manual
Instruction, a dining hall capable of accommodating 190 boys, four dormitories,
a hospital with general and infectious wards, a dispensary, and a library. An
additional block, containing an Assembly Hall with galleries, eight spacious
airy class-rooms and a large
La
Martiniere is a higher secondary school ; its upper forms which are constituted
as an affiliated college of the Calcutta University, prepares candidates for
the Intermediate Arts and Science Examinations.
The boys
participate in all kinds of sports : Swedish drill and boxing classes are held
by a qualified instructor. There is a Swimming Bath, Cadet Corps, Wolf Cub Pack
and a Boy Scout Troop which has held the King's flag since 1919.
To the
north of the Boy's College at
John Barry, journalist, Calcutta, 1939/40
(source
pages 128 of John Barry: Calcutta 1940 Calcutta
(COPYRIGHT NOTICE: Reproduced under 'fair dealing' terms as part of a non commercial educational research project. The copyright remains with John Barry 1940)
_____Memories of 1940s Calcutta_______________________
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Sealdah
_____Pictures of 1940s Calcutta________________________
Steam locomotive of the Bengal & Assam RR in the yards by Sealdah Station, Calcutta.
Glenn Hensley, Photography Technician with US Army Airforce, Summer 1944
(source: Glenn S. Hensley: Steam locomotive, Rr003, "Steam locomotive of the Bengal & Assam RR in the yards by Sealdah Station, Calcutta." seen at University of Chicago Hensley Photo Library at http://dsal.uchicago.edu/images/hensley as well as a series of E-Mail interviews with Glenn Hensley between 12th June 2001 and 28th August 2001)
(COPYRIGHT NOTICE: Reproduced by permission of Glenn Hensley and under a Creative Commons license)
Front of Sealdah Station
Glenn Hensley, Photography Technician with US Army Airforce, Summer 1944
(source: Glenn S. Hensley: Sealdah Station, Rr004, "Front of Sealdah Station." seen at University of Chicago Hensley Photo Library at http://dsal.uchicago.edu/images/hensley as well as a series of E-Mail interviews with Glenn Hensley between 12th June 2001 and 28th August 2001)
(COPYRIGHT NOTICE: Reproduced by permission of Glenn Hensley and under a Creative Commons license)
Front of Sealdah Station
Glenn Hensley, Photography Technician with US Army Airforce, Summer 1944
(source: Glenn S. Hensley: Sealdah Station, Rr005, "Front of Sealdah Station." seen at University of Chicago Hensley Photo Library at http://dsal.uchicago.edu/images/hensley as well as a series of E-Mail interviews with Glenn Hensley between 12th June 2001 and 28th August 2001)
(COPYRIGHT NOTICE: Reproduced by permission of Glenn Hensley and under a Creative Commons license)
Passenger waiting area, Sealdah Station, Calcutta
Glenn Hensley, Photography Technician with US Army Airforce, Summer 1944
(source: Glenn S. Hensley: Passenger waiting area, Rr010, "Passenger waiting area, Sealdah Station, Calcutta." seen at University of Chicago Hensley Photo Library at http://dsal.uchicago.edu/images/hensley as well as a series of E-Mail interviews with Glenn Hensley between 12th June 2001 and 28th August 2001)
(COPYRIGHT NOTICE: Reproduced by permission of Glenn Hensley and under a Creative Commons license)
Trains ready to depart Sealdah Station, Calcutta
Glenn Hensley, Photography Technician with US Army Airforce, Summer 1944
(source: Glenn S. Hensley: Ready to depart, Rr012, "Trains ready to depart Sealdah Station, Calcutta." seen at University of Chicago Hensley Photo Library at http://dsal.uchicago.edu/images/hensley as well as a series of E-Mail interviews with Glenn Hensley between 12th June 2001 and 28th August 2001)
(COPYRIGHT NOTICE: Reproduced by permission of Glenn Hensley and under a Creative Commons license)
Trains ready to depart Sealdah Station, Calcutta
Glenn Hensley, Photography Technician with US Army Airforce, Summer 1944
(source: Glenn S. Hensley: Ready to depart, Rr013, "Trains ready to depart Sealdah Station, Calcutta." seen at University of Chicago Hensley Photo Library at http://dsal.uchicago.edu/images/hensley as well as a series of E-Mail interviews with Glenn Hensley between 12th June 2001 and 28th August 2001)
(COPYRIGHT NOTICE: Reproduced by permission of Glenn Hensley and under a Creative Commons license)
_____Contemporary Records of or about 1940s Calcutta___
_____Memories of 1940s Calcutta_______________________
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Entally
_____Pictures of 1940s Calcutta________________________
_____Contemporary Records of or about 1940s Calcutta___
Entally
We have now reached the point known as Molali
Darga, technically the gate to Entally. The thoroughfare branching to the right
is
The two large buildings on the right, viz.,
Stanistreet House, (No.18), and Saxby &. Farmer (
No. 2 across which, on the right, stands Entally
Loreto Convent, accommodating the Chapel of our Lady of Good Counsel, a
Boarding and Day School, an Orphanage and a Nursery. It is here that the
John Barry, journalist, Calcutta, 1939/40
(source pages 126 of John Barry: Calcutta
1940 Calcutta
(COPYRIGHT NOTICE: Reproduced under 'fair dealing' terms as part of a non commercial educational research project. The copyright remains with John Barry 1940)
_____Memories of 1940s Calcutta_______________________
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